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Thursday, June 27, 2013

Hey, Huey Lewis Fans ! Check this out !

Click here to hear Heart and Soul

You've got to read Steve Hyden's article/interview in Grantland, 'Huey Lewis's Old, Weird America', excerpted below.

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"I don't know what a new record is anymore," Lewis says. "I think what we have to do is record it, and video the recording and make a YouTube clip. I think YouTube is what matters. Records don't matter."

As a prolific seller of records once upon a time, Lewis is naturally perturbed by this. "American popular music is our only art form. It's our most important export, period. And since time began, it's been handled not as an art form but as a commodity. I mean, all records are the same price. Books are different prices, paintings are different prices, wine is different prices, but all music is the same fucking price. And why? Because the executives in charge of the business are not real businesspeople. They didn't go to business school, they don't have a business vision. 'He just managed a band that sold 8 million records. So let's put him in charge.'"



Click here to hear But It's Alright
 
Here's one thing the record business is definitely no longer good at: selling rock albums made by thirtysomething white men who are into sax solos and doo-wop. MJ, Prince, Springsteen — you can point to contemporary artists attempting to follow their commercial examples. But Huey Lewis represents an archetype that is not only absent from the pop charts, it's one that is nearly impossible for a young person to imagine ever being popular. Sports is the epitome of old-world musical broadness — it touches on new wave, '60s soul, beer-commercial blues, and classic honky-tonk. One of the album's most recognizable tracks, "I Want a New Drug," topped the dance charts. That's right — the clubs of '84 banged to Huey Lewis and the News. It's inconceivable that any album today could (or would even attempt to) cover so many bases in such a deliberate "one size fits all" manner.

"I think everybody's screwed by that," Lewis says. "[In the past] music was integrated, but society was segregated. Today, society is integrated, but music is segregated. And that's not a good thing. Information is segregated. If you're a right-winger, you know there's a bunch of shows you can watch where nobody disagrees with you. If you're a left-winger, there are other shows, nobody disagrees with you. Not healthy. Not good."